Equipment

Microphones
  • AKG 451 EB (2)
  • AKG C414 TL II
  • AKG C414 ULS (2)
  • AKG SolidTube (5)
  • Audio Technica AT 4033
  • Audix D2 (3)
  • Audix D6
  • Avantone CV-12 (2)
  • BLUE Blueberry
  • BLUE Dragonfly (2)
  • BLUE Kiwi (2)
  • Cascade Fat Head II (2)
  • Earthworks M30
  • Electro-Voice RE20
  • Lawson L-47
  • Lawson L-47 MKII
  • Lewitt LCT 840
  • Lewitt LCT 940
  • Microtech Gefell M300
  • Miktek C5 (2)
  • Nady RSM-2 (2)
  • Neumann TLM 103
  • Sennheiser MD421 (3)
  • Shure Beta 52 (2)
  • Shure SM7B
  • Shure SM57 (9)
  • Shure SM 81 (2)
  • Stager SR-2n
  • Sterling Audio ST44
  • Telefunken M80
  • Yamaha Subkick
Preamps / Channel Strips (Studio A)
  • Trident 80b w/ Uptown automation
  • 8 CAPI VP28 mic preamps (vintage API style)
  • 2 Neve 1073 mic preamps/ EQ (vintage)
  • 6 Neve 1066 mic preamps/ EQ (vintage)
  • Grace Design m801 8-channel mic preamp
Monitoring (Studio A)
  • KRK 15P 3 (mains)
  • Yamaha MSP 5 (near fields)
  • Auratone 5C (reference)
Recording Gear/ Software (Studio A)
  • Pro Tools HDX 10.3
  • 2 Avid HD IO’s (34 analog inputs/ 32 analog outputs)
  • Digidesign Sync
  • Apogee PSX-100
  • RADAR II 24 bit/ 24 tracks
  • Alesis Masterlink
  • 3.2GHz Quad-Core Intel Xeon Mac
  • Reason 5
  • Melodyne Studio 3
  • Auto-tune 7
Dynamics Processors (Studio A)
  • UREI 1176 (2)
  • Teletronic LA-3a (2)
  • Drawmer dual gate (2)
  • Tube Tech CL1B (2)
  • Summit TL-100
  • Alan Smart C2
  • UREI 7110 (2)
  • DBX 165 (2)
  • Symetrix 525 (2)
  • Drawmer DS201 Dual Gate (2)
  • Empirical Labs EL8 Distressor (2)
Effects Processors (Studio A)
  • Lexicon PCM 80
  • Yamaha SPX 900
  • Roland SRV330
  • TC Electronics M2000
  • Dolby 363